Contents
Naked and Fallen
Jenna Citrus
Through Process
Emily Plummer
Tearing at Sores
Regis Louis
The Birth of Our Names
Tesneem Madani
Untitled No. 4
Sarah Kronz
Our Condition
Troy Neptune
On the Fundamentals of Art and the Soul
Ayla Maisey
In the Foreground
Aree Rachel Coltharp
Freedom
Winafret Casto
The Seventeen Seconds of Odette
Rachel Lietzow
Hidden in Sight
Jenna Citrus
Barrio
Casandra Robledo
The Passage
Liam Trumble
Resentment as a Kind of Relief
Eric Kubacki
Beauty Standards
Sarah Kronz
Over the Kanawha
Claire Shanholtzer
Faith
Anne Livingston
Sponsorships & Acknowledgements
For Empty Spaces
Regis Louis
Entropy
Liam Trumble
Culled from the Flock
Deborah Rocheleau
Searching for Divinity
Madeleine Richey
From Pillars to Dust
Madeleine Richey
As Best I Could Do
Hoda Fakhari
In Your Absence
Emma Croushore
Contemplations
Sarah Kronz
The Shadow of Paris
Anika Maiberger
Memories of Home
Audrey Lee
The Beauty in Fracturing
Taylor Woosley
Butcher Paper
Casandra Robledo
Human Scavenger
Devin Prasatek
Babel Was a Second Eden
Luke McCusker
The Painting in Gallery 26
Sydney Crago
Transposing
Ayla Maisey
Tearing at Sores
Anger, a rash from the sumac’s poison,
painful and distracting from any peace of mind.
Our fingernails dig epidermic trenches on
an all-too familiar battleground that stings
of mustard gas and iodine.
Citizens sell ticker tape and bonds;
such ferocious love of a dying profession.
Death sweeps down the wedding aisle,
her hair tied back in a borrowed bonnet.
The guests shift uncomfortably
in their wooden pews: they want to object,
but they each hold their respective breaths.
Death never seemed so lovely.
Misery, a sore inside a gum or cheek,
his teeth gnawing to and from.
They wonder if the wound has healed,
knowing that it hasn’t. Like an apologetic
husband bursting to his bleeding wife’s side,
guilt chases rage from his crying voice;
the tongue keeps tearing at cankerous holes,
sores that taste of vinegar and Epsom.
The best remedy: to rinse with time,
but tragic tunes stitch open wounds,
and minor chords know how pain feels.
About The Author
Regis Louis is currently studying English at Kent State University. When he is not laboring over his poems, you can find him working at the Wick Poetry Center. He believes that it is his duty as a poet to use his writing as not only creative relief for himself but also as an opportunity to share his understanding of human life with others. He thanks you for reading his words.